Finding Peaks and Valleys in a Flat World

Goodness, Truth, and Meaning in the Midst of Today’s Mad Chase for Prosperity and Instant Feedback

Mark Ellingsen, Interdenominational Theological Center

November 2020 / ISBN: 978-1-64889-108-3
Availability: In stock
90pp. ¦ $29 £22 €25

The flat world of our globalized economic order—with its information technology mandating the need for the labor force to compete globally—has led to turmoil, injustice, and growing unhappiness in our everyday lives. We need a way to find some mountaintops and fulfillment in our flat world, to have a sense that some moments can have eternal significance. Søren Kierkegaard, forerunner of Existentialism, provides us with a vision of life to help us cope and give us joy. Along the way, we’ll see how a lot of his insights connect with cutting-edge findings on brain research about the biological dynamics of joy and fulfillment. Finding Peaks and Valleys in a Flat World will be of interest to undergraduate Philosophy and Religion students as well as Kierkegaard specialists. It will also be a good reference work for people interested in social analyses and theologians of every denominational affiliation.

Duncan and Marjorie Phillips and America’s First Museum of Modern Art

Pamela Carter-Birken

March 2021 / ISBN: 978-1-64889-107-6
Availability: In stock
176pp. ¦ $43 £32 €36

He was born to privilege and sought the world of art. She lived at the center of that world—a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City’s Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation decisions. To him, her influence was omnipresent. Although Duncan’s writings on artists and art history were widely published, he chose not to provide much instruction for visitors to the museum. Instead, he combined signature methods of displaying art which live on at The Phillips Collection. Phillips had viewers in mind when he hung American art with European art—or art of the past with modern art, and he frequently rearranged works to stimulate fresh encounters. With unfettered access to archival material, author Pamela Carter-Birken argues that The Phillips Collection’s relevancy comes from Duncan Phillips’s commitment to providing optimal conditions for personal exploration of art. In-depth collecting of certain artists was one of Phillips’s methods of encouraging independent thinking in viewers. Paintings by Pierre Bonnard, Arthur Dove, Georgia O’Keeffe, John Marin, Jacob Lawrence, and Mark Rothko provide testament to the power of America’s first museum of modern art.

Latin in Modern Fiction

Who Says It’s a Dead Language?

Henryk Hoffmann

March 2021 / ISBN: 978-1-62273-949-3
Availability: In stock
306pp. ¦ $61 £46 €52

The goal of this book is to prove that Latin is not a dead language by demonstrating how prevalent and strong it still is in modern Western culture. In order to do so, the author, an English philologist with a long experience as a Latin educator, catalogues, explains and interprets Latin quotations and references in a multitude of twentieth- and twenty-first-century literary works by—primarily—mainstream authors (from Aldous Huxley to Saul Bellow to John Irving), crime/mystery writers (from Raymond Chandler to Elizabeth George to Dennis Lehane) and frontier/western novelists (from Emerson Hough to Larry McMurtry). The three areas of fiction constituting the main scope of the book indicate the author’s major interest and preference, as well as the subject matter of his extensive research, both prior and current—the former related to his already published books. The writers offering the most impressive contributions to the thesis are featured in the three parts of the main body; those with lesser input are listed in the Appendix. The prospective readers of the book include all Latin students and educators at the secondary and college levels worldwide.

The Corporate Overlords will be Kind: Campaign Finance, Representation and Corporate-led Democracy

Radu George Dumitrescu, University of Bucharest, Romania

April 2021 / ISBN: 978-1-62273-879-3
Availability: In stock
148pp. ¦ $47 £34 €39

‘The Corporate Overlords will be Kind’ is a unique book in that it makes use of a multi-pronged approach – journalistic, legal, theoretical – to find, document, and explain instances in which well-known corporations such as Wal-Mart, Uber, McDonald’s, Airbnb, Gillette, Nike and others have involved themselves, as ‘artificial persons’, in political and social debates involving aspects such as gender, racism, sexual minorities, and gun ownership. This book argues that these transnational, multi-billion-dollar corporations that thrive in the globalized world market are forced to take explicitly political stances by the very environment in which they activate and by the consumers whom they serve, taking on the latter’s values and opinions and representing them to retain them as customers. ‘The Corporate Overlords will be Kind’ advances that corporations are now – and will increasingly be – the loudest voices in the political market square of the United States, but that such a situation is not necessarily a cause for concern. This book thus departs from the traditional scholarly views of Citizens United (the 2010 landmark decision of the Supreme Court which granted free speech to corporations as persons) as a woe to democracy, and argues that the ageless, deathless, genderless, nationless corporations will be the political representatives of the futures, not political parties. This book will appeal to undergraduate and graduate students specializing in social sciences, particularly politics, history, sociology, and law. Political professionals and journalists may also be interested in the book, in addition to the general reader with interest in politics.

Arts in the Margins of World Encounters

Edited by Willemijn de Jong, University of Zurich, Switzerland et al.

May 2021 / ISBN: 978-1-62273-602-7
Availability: In stock
251pp. ¦ $61 £46 €52

'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.