by Publication status
by SubjectAnthropology (10) Art (41) Business and Finance (19) Cognitive Science and Psychology (16) Communication and Journalism (12) Economics (88) Education (13) History (50) Human Geography (5) Interdisciplinary (8) Language and Linguistics (23) Law (2) Music Studies (2) Philosophy (74) Political Science and International Relations (37) Sociology (87) Statistics and Quantitative Methods (12)
by SeriesPhilosophy (22) Sociology (14) Education (11) Critical Perspectives on Social Science (8) Economics (8) Language and Linguistics (7) Cognitive Science and Psychology (6) Vernon Classics in Economics (6) Anthropology (6) Art (6) Politics (6) Business and Finance (5) Communication (5) Economic History (5) Philosophy of Religion (5) History of Art (5) Philosophy of Forgiveness (4) Cinema and Culture (4) Economic Development (4) Economic Methodology (4) World History (4) Philosophy of Personalism (3) Performing Arts (3) Series in American History (2) Series in Critical Media Studies (2) Series in Literary Studies (2) Economics of Technological Change (2) Law (2) History of Science (2) Curating and Interpreting Culture (1) Series in Built Environment (1) Series in Innovation Studies (1) Series in Social Equality and Justice (1) Series on Climate Change and Society (1) Music (1)
Browsing with filters
A Study in Applied Metaphysics
Simon Smith, University of Surrey
Availability: In stock
342pp. ¦ $65 £55 €60
The meaning of “God-talk” remains the fundamental issue facing religious thinkers today. This study concerns the analogies needed to make sense of that talk. Embracing those analogies signals the application of Austin Farrer’s cutting-edge theology. Almost fifty years after his death, Farrer remains one of the twentieth century’s last great metaphysical minds, his grasp of faith and philosophy unequalled. Having defended religious thought against both Positivist and Process reduction, he pursued his own revision of scholastic tradition, ultimately developing the vital corrective to an overweening impersonalism, one which depersonalises the divine so severs the cosmological connection. Following this course returns us to an earlier tradition, to a metaphysic of persons exemplified in the expressions of lived faith. This draws upon the logic of personal identity: what it means to be, or rather, to become, a person. Hence, journey’s end lies in a Feuerbachian anthropology of theology or ‘anthropotheism’. Like Farrer, Feuerbach used the believer’s language to relocate theology and philosophy within a framework that makes fertile use of anthropomorphic personifications to ‘think’ God. Revisiting the personalist presuppositions of metaphysics in this way throws light on the most vital questions of personal identity. To answer them is to ‘draw’ reality on a grander scale than either realism or consequentialism is capable of. Most importantly, it is locate our place within that image. Doing theology dynamically or psychologically informed – as both Farrer and Feuerbach insisted – means recognising the constitutive role such images play in self-construction. Without active participation in our ideals and aspirations, we cannot become persons at all; participation entails the enactment of our prospective selves. This returns us to the practice of piety: faith in a Godly person. Here we find the reconstruction of Feuerbach’s anthropology as applied theology and, by extension or amplification, the completion of Farrer’s personalist metaphysics.
William H. U. Anderson, Concordia University of Edmonton, Canada
Availability: In stock
224pp. ¦ $70 £60 €67
Atheism and the Christian Faith is an anthology of the proceedings from a conference of the same name which convened at Concordia University of Edmonton in May 2016. The book represents a wide diversity of subtopics—primarily from a philosophical perspective—including submissions from atheists, agnostics and theists. This combination of topics and perspectives makes the book totally unique. There are arguments for and against theism. The foreword to the book is by Professor Richard Swinburne, Professor Emeritus of Philosophy at Oxford University, who contributes two chapters to the book: “Why Believe That There is a God?” and “Why God Allows Suffering”. The book includes a chapter from renowned astrophysicist, and former student of Stephen Hawkins, Professor Dr. Don Page from the University of Alberta “On the Optimal Argument for the Existence of God”. Atheism and the Christian Faith advances arguments around serious philosophical issues of direct relevance to contemporary society. It will be of interest to a broad range of scholars in philosophy, theology and epistemology.
A Critical Analysis Of Pierre Bourdieu's Theoretical Framework
Jacek Tittenbrun, University of Poznan, Poland
Availability: In stock
366pp. ¦ $75 £65 €72
This book offers an in-depth examination of Pierre Bourdieu's theoretical framework. The book is not just a collection of more or less critical remarks but constitutes a coherent whole, underpinned by an original analytical framework. This conceptual apparatus makes it possible to present some alternative solutions to the theoretical problems under consideration. The book goes largely against the grain of views that are dominant in the literature on Bourdieu. Therefore, its conclusions may be surprising to many a reader. The book demonstrates that Bourdieu's well-known theory of 'capital' forms is untenable, resembling more an illegitimate metaphor rather than a scientific concept. In a similar vein, the Bourdesian class theory should be largely regarded as a variant of social stratification rather than class. There are many theoretical and empirical problems with Bourdieu's theory of social and cultural reproduction as well. There is more to the above criticisms than meets the eye. The point is that many weaknesses of Bourdieu's style of theorising seem to stem from his intellectual dependence upon structuralism, especially in Claude Lévi-Strauss' version. It is this affinity that accounts for such features of Bourdieu's approach as its essentialism, formalism and epistemic idealism. The book will be of interest primarily to students of Bourdieu's many and varied contributions to social theory. In view of Bourdieu's immense influence, it will also hold interest to critical scholars in political science, economic sociology and political philosophy.
Peter Stone, Trinity College Dublin, Ireland
Availability: In stock
214pp. ¦ $60 £49 €57
Almost five decades after his death, there is still ample reason to pay attention to the life and legacy of Bertrand Russell. This is true not only because of his role as one of the founders of analytic philosophy, but also because of his important place in twentieth-century history as an educator, public intellectual, critic of organized religion, humanist, and peace activist. The papers in this anthology explore Russell’s life and legacy from a wide variety of perspectives. This is altogether fitting, given the many-sided nature of Russell, his life, and his work. The first section of the book considers Russell the man, and draws lessons from Russell’s complicated personal life. The second examines Russell the philosopher, and the philosophical world within which his work was embedded. The third scrutinizes Russell the atheist and critic of organized religion, inquiring which parts of his critical stance are worth emulating today. The final section revisits Russell the political activist; it directs an eye both at Russell’s own long career of peace activism, but also at his place in a highly political family tradition of which he was justifiably proud. This book thus constitutes an invitation, if one were needed, to the world of Bertrand Russell. Those new to Russell, but with an interest in biography, philosophy, religion, or politics, will hopefully find something to learn here. This may spark an interest in learning more about Russell. But this book is not just intended for the Russell neophyte. The book sheds fresh light on a number of topics central to Russell studies—his connections to other philosophers, for example. Scholars well-versed in Russell studies will enjoy grappling with the treatment given to these topics here.
Brain-tools versus Body-tools
Tsion Avital, Holon Institute of Technology, Israel
Availability: In stock
428pp. ¦ $130 £107 €122
In the past century the borders have blurred between art and design. Designers, artists, aestheticians, curators, art and design critics, historians and students all seem confused about these borders. Figurative painting was reduced to graphic design while still being called 'art'. Figurative sculpture was reduced to nonfunctional industrial design while being called 'sculpture'. This fundamental blunder resulted from total misunderstanding of the concept of "abstraction" by the founders of modern art. Comprehensive analysis shows that so-called "abstract art" is neither abstract nor art, but a very simple, even trivial, kind of design. In this book the prehistoric, philosophical, logical, historic and religious sources of the confusion between art and design are analyzed. A new and coherent conceptual framework is proposed, to distinguish between art and design. Nearly one hundred distinctions, contradistinctions and comparisons between art and design are presented, showing clearly that they are totally independent domains. Philosophy of art books are written by philosophers for philosophers, not for artists and designers; therefore they are irrelevant for the latter, especially for students who normally lack the necessary conceptual training. This book is not only for theoreticians but for art and design practitioners at all levels. This is a new kind of book: an illustrated philosophical book for the art and design world, which can make philosophical knowledge accessible and useful for solving real problems for designers and artists who are mostly visual rather than conceptual thinkers. The book contains over two hundred images; thus art and design people can easily follow the arguments and reasoning presented in this book in their own language; images. Lack of distinction between art and design harms both. Design is contaminated by the ills of modern art, while modern art cannot recover from its current stagnation whilst under the illusion that it is actually art rather than design.