The Christian Literary Imagination

What is the Christian literary imagination? That question was put to the writers who have contributed to this collection of essays. They were asked, in answering it, to choose and write about a work of literature that seemed to them to illustrate one of the varied ways in which the Christian imagination sees the world, to define by example the meaning of the term. A variety of beliefs (or indeed unbeliefs) are expressed by the contributors and authors they selected to discuss. But what the essays have in common is an inquiry into the nature of belief and the means by which the reader’s imagination can itself be stirred through the work of the author under discussion.
The book is structured chronologically, with essays on literature ranging from Anglo-Saxon England to 21st-Century America, but the contributors show a freedom of movement and reference across the centuries in their essays, sometimes deliberately juxtaposing the historical with the contemporary. What emerges from the collection is a shared inquiry into the enduring Christian vision of God’s engagement with the world.

Acknowledgments
Preface

Part I. Introductory
The Christian Literary Imagination
Michael Scott
Blackfriars Hall, Oxford
Novelists and Poets: the Believers' Allies in a Secular Age
Timothy Radcliffe, O.P.
Blackfriars Hall, Oxford
Part II. The Medieval World
Chapter 1 The Action of God and the Answer of Man: the Poetic Origins of English Spirituality
Jasmine Jones
St. Peter’s College, Oxford
Chapter 2 “Enlighten the Eye of my Mind”: Anselm of Canterbury at the Limits of Imagination
Rachel Cresswell
University of Oxford
Chapter 3 Julian of Norwich on the Incarnation
Julia A. Lamm
Georgetown University
Chapter 4 Dante’s Gospel
Francis J. Ambrosio
Georgetown University
Chapter 5 Chaucer’s Anti-Anti-Semitism in the Prioress’ Tale
John C. Hirsh
Georgetown University

Part III: The Early Modern World
Chapter 6 Finding Refuge in Your Own Castle: Teresa de Ávila’s Las Moradas
Bárbara Mujica
Georgetown University
Chapter 7 Robert Southwell and the English Literary Imagination
Peter Davidson
University of Oxford
Chapter 8 Consolation for Catholics in Michael Drayton’s Early Works
Clare Asquith
Independent Scholar
Chapter 9 How did Shakespeare use the Bible?
Paul Edmondson
The Shakespeare Birthplace Trust
Chapter 10 Encountering Early Modern Women’s Christian Literary Imagination in the Theatre Today
Elizabeth Schafer
Royal Holloway, University of London
Chapter 11 Dramatizing Atheism in Cyril Tourneur, The Atheist’s Tragedy
John Drakakis
University of Stirling
Chapter 12 “I cannot reach it”: Henry Vaughan and the Poetics of Loss
Rowan Williams
Magdalene College, University of Cambridge

Part IV: The Eighteenth Century
Chapter 13 Christopher Smart’s Alphabetical Imagination
Molly Clark
Independent Scholar
Chapter 14 James Field Stanfield’s The Guinea Voyage: Eighteenth-Century Catholicism and the Transatlantic Slave Trade
Bridget Keegan
Creighton University

Part V: The Nineteenth Century
Chapter 15 Transformative Conversation: Elizabeth Barrett Browning’s Literary Imagination
Clare Broome Saunders
University of Oxford
Chapter 16 Browning’s Christmas Eve: Victorian Christian Grotesque
John Pfordresher
Georgetown University
Chapter 17 Gerard Manley Hopkins: Formation and Failure
Graham Ward
University of Oxford

Part VI: The Twentieth Century
Chapter 18 Radclyffe Hall as a Catholic Novelist
Jane Stevenson
University of Oxford
Chapter 19 Depth and Sacrament in Some Writing by David Jones
Hester Jones
University of Bristol
Chapter 20 Coloring Catholicism Greene in the Age of Pope Francis
Mark Bosco, S.J.
Georgetown University
Chapter 21 Flannery O’Connor and Hillbilly Thomism in “A Temple of the Holy Ghost”
Mark Bosco, S.J.
Georgetown University
Chapter 22 In Hope of Revelation: the Poetry of R.S. Thomas
Michael J. Collins
Georgetown University
Chapter 23 Nature Abhors a Vacuum: Overcoming Domesticity in Marilynne Robinson’s Housekeeping
Joseph E. Simmons, S.J.
Marquette University

Part VII: Conclusion
The Christian Literary Imagination in a Secular Age
Michael J. Collins
Georgetown University

Appendix. The Christian Imagination
Michael J. Collins
Georgetown University
List of Contributors
Index

Michael Scott is Fellow and Senior Dean at Blackfriars Hall, Oxford, and is Senior Advisor to the President and Director of The Future of the Humanities Project at Georgetown University, Washington DC. He was the Founding Vice Chancellor of Wrexham Glyndwr University, Wales, where he is Emeritus Professor of English and Theatre Studies and was previously Head of the School of Arts and Humanities and Pro Vice Chancellor of De Montfort University, Leicester, England. He was the founding and general editor of the 'Text and Performance Series' and 'The Critics Debate Series.' His books include 'John Marston’s Plays: Theme Structure and Performance'; 'Renaissance Drama and A Modern Audience'; 'Shakespeare and the Modern Dramatist'; 'Harold Pinter: A Collection of Critical Essays' (ed); 'Talking Shakespeare' (ed with Deborah Cartmell); 'Shakespeare’s Comedies: All That Matters'; 'Shakespeare’s Tragedies: All That Matters' and 'Shakespeare: A Complete Introduction.' He has also written two novels: 'Hamlet and the Psychotherapist: A Novel' and 'The Scottish King, Macbeth and the Psychotherapist: A Novel.'

Michael J. Collins is Professor of English and Dean Emeritus at Georgetown University and an Honorary Fellow of Wrexham Glyndwr University. He is the editor (with Francis J Ambrosio) of 'Text and Teaching: The Search for Human Excellence' and (with Michael Scott) of 'Christian Shakespeare: Question Mark.' He has taught modern British literature at Georgetown and has published frequently on modern British poets and playwrights. He received the Bunn Award for Outstanding Teaching from Georgetown College in 2006.

Explore Christian literary imagination in essays spanning from Anglo-Saxon to modern American works, revealing how belief influences perception.