Center and periphery: Twenty-first-century literature, cinema, media from Spain

Edited by Amparo Alpañés, Washington & Jefferson College

ISBN: 979-8-8819-0093-9
Availability: Forthcoming
$112 £87 €103

Stories from the Front Line: The People Behind the NHS Headlines

Yvonne Bennett, Canterbury Christ Church University and Christina Stead

October 2024 / ISBN: 979-8-8819-0062-5
Availability: In stock
162pp. ¦ $56 £45 €52

NHS Scotland appears to be in crisis. Today the British media is full of headlines such as “89-year-old great-grandmother waits 5 hours for an ambulance.” These are a talking point for a day or two and then another headline of a similar ilk takes over. This book examines the traumatic experiences of the elderly people whose stories make up these headlines. The authors have carried out research into the effects of long waiting times for ambulances and the problems that NHS Scotland is facing through chronic staff shortages. The waits and the limitations to patient care have long term implications for the patients, the relatives and the staff. Throughout the book we discuss iatrogenic disease/harm that is occurring daily for patients, visitors and staff. The book concentrates on the new Glasgow hospital, The Queen Elizabeth University Hospital, which opened its doors in 2015. This is one of the largest hospitals in Europe and replaces 5 older Glasgow hospitals and has been beset by major problems since its opening. By interviewing relatives and staff, the authors have examined their experiences both during and following a traumatic event. Themes found throughout the book include poor communication, trauma, low staff morale, suicide and the problems caused by the size and design of the hospital. The authors have also analysed statistics from NHS Scotland and Scottish Ambulance Service regarding waiting times and the use of agency staff. The overarching goal of this book was to give a voice to those behind the statistics.

Nostalgia, Anxiety, Politics: Media and Performing Arts in Egypt, Central-Eastern Europe, and Russia

Edited by Tetyana Dzyadevych, Grinnell College

ISBN: 979-8-8819-0060-1
Availability: Forthcoming
$109 £87 €102

This volume shows that the cultural production of nostalgia is a major tool for structuring feelings of resentment and anxiety. The current volume is concerned with collective nostalgia as it has been elicited, channeled, and weaponized by media production agents. The book aims to analyze how the performing arts and media (music, cinema, TV, etc.) generate and shape the feeling of collective nostalgia. It shows how the cultural production of nostalgia reflects distinct social-political contexts and serves particular political purposes. The collective monograph prioritizes cases from the post-Soviet context. However, the authors do not argue that the collapse of the socialist bloc in general, and the USSR in particular, has established some unique nostalgic precedent. The book claims that mechanisms of producing nostalgia and marshaling it for political purposes are broadly similar in most (modern or postmodern) settings. It is not our intent to demonize Russia, nor do we want Russia to be our dominant frame of reference, even if, in most of our cases here, 'nolens volens' appeared first in Russia-centric post-Soviet discourse. The “Russian bloc” has been placed in the second part of the book in order to give primacy to non-Russian subjects. This book focuses on collective rather than individual nostalgia, its causes more than its consequences (even though sometimes it is difficult to distinguish one from the other), form before content. In short, seeing the global upsurge of populism and authoritarianism, the authors asked themselves two questions: “How did it happen?” and “What role has nostalgia played in it?” This collaborative work states that nostalgia has a dual nature: on the personal level, it might be harmless, but when it becomes a collective, directed by a third party (not a creator and percipient), it may become a tool of manipulation for some mercantile intentions, including the gain of power.

Asian Perspectives on Education: Inclusivity and Diversity

Edited by Jie Zhang, State University of New York (SUNY) and Natalie Sarrazin, State University of New York (SUNY)

ISBN: 979-8-8819-0045-8
Availability: Forthcoming
$104 £84 €98

The idea of “Asia” is contested in the literature as a concept in terms of unification in any sense e.g., regionally, economically, and politically (see Duara [1995] 2019; Acharya, 2010), which makes a book of this nature challenging. The use of inclusion and diversity as a lens of discovery is not only synchronically topical but provides an important outlet for unheard voices and marginalized perspectives otherwise silenced or ignored in education and Asian literature. The lens by which the book is written combines multiple streams of diversity and inclusion with that of K-12 and higher education in an Asian context, and it allows room for individual Asian voices and perspectives both in and outside the classroom. Inspired by a panel presented at the 2021 New York Conference on Asian Studies (NYCAS) on the very topic of inclusivity and diversity in Asian education, the book broadened the original focus from the COVID-centered to one that allowed the exploration of a wider geographic area and cultural area as well as new subjects. Moreover, our text includes a focus on individuals with disabilities, multicultural education, and cross-disciplinary efforts across cultures. This book covers broader topics regarding inclusivity and diversity in education from multiple Asian perspectives and ranges from various educational levels (that is, elementary, secondary, and post-secondary institutions), different school settings (that is, public and private schools), and a variety of Asian countries and areas (that is, Bangladesh, China, India, Indonesia, Japan, Jordan, and Taiwan). This book gives a well-rounded representation of the issues through theoretical focus, practical applications, and research studies, contributed by authors from various international institutions and countries or countries of origin, including Bangladesh, China, Germany, India, Indonesia, Japan, Jordan, and the United States.

Style, Meaning and Pedagogy

Rachid Acim, Ibn Zohr University, Agadir, Morocco

ISBN: 979-8-8819-0040-3
Availability: Forthcoming
$45 £36 €42

'Style, Meaning and Pedagogy' can be useful to students and researchers of different backgrounds; it can assist them to deeply fathom literary and non-literary texts and scaffold their critical thinking when approaching human language like poems, headlines, blurbs or paintings. Admittedly, the print and visual texts chosen in the book were produced in the 14th, 18th, 19th and early 20th centuries. Whereas some of them are up-to-date and timely as they tap upon the emotions of the last pandemic (i.e., “And the People Stayed Home”), others: - Provide a profound view of peace and fellowship (i.e., “Abou Ben Adhem”); - Introduce a description of the system of etiquette followed in 1918 (i.e., “Manners”); - Unravel the dichotomy of face and beauty (i.e., “Memory”); - Examine the dialectical relationship between rhetoric and metaphors (i.e., “How Do I Love Thee?”); - Stress the power of art and pedagogy in the medieval age (i.e., “Laurentius de Voltolina’s Painting”); - Revisit dialogism and intertextuality in Afro-American Literature (i.e., “Dreams”); - Stimulate students’ critical reflections (i.e., “Poem in Your Pocket”); - Showcase the informative and persuasive dimension of media discourse (i.e., “The NYT”); - Bring to the fore reader-response theory and positive self-talk (i.e., “Thinking”). The book is a gem for students pursuing their English Studies in Higher Education. It is a rich resource for novice researchers and university professors teaching courses such as Literary Linguistics, Discourse Analysis, Literary Criticism, Poetry, Rhetoric, to mention but a handful. With an exhaustive list of readings and references, insightful methodology and signposts for critical reflections, 'Style, Meaning and Pedagogy' proffers you a chance to question the textual and semiotic selections people dwell on to produce their own texts. And with the short tasks and exercises at the end of each chapter, you will be able to savour and simultaneously retain much of the invaluable input prepared just for you.