Forms of Performance: From J.S. Bach to M. Alunno (1972-)

Stemming from a stimulating conference, this volume provides well-researched new contributions to performance studies. It will be especially valuable to researchers of J.S. Bach's reception history and of new compositions and their performances. Importantly, the book fills a significant gap in our Anglo-centric world of knowledge as it largely focuses on events and artistic creativity in Italy and South America (esp. Colombia). Added value is the audio material that illuminates the discussions.

Professor Dorottya Fabian,

The University of New South Wales, Sydney

In this volume, the reader will find a rich diversity of scholarship all somehow linked to J. S. Bach and musical tradition. From Michael Maul's fascinating consideration of the text-painting craftsmanship in Bach's cantatas, to Alberto Nones's spell-binding discussion of the marriage of harmony and text in different settings of Leopardi's magical L'Infinito, we arrive full-circle with the demonstrated influence of Bach in Marco Alunno's challenging and exciting recently composed piano études.

Ann DuHamel,

University of Minnesota, Morris