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This important new work focuses on the pioneers in machinima, considered to be the grassroots and beginnings of virtual production. Its impacts are identified by the community, supplemented by Harwood and Grussi’s research over a period of 25 years – from game, film and filmmaking to digital arts practice, creative technologies developments and related research and theory. Machinima is the first digital cultural practice to have emerged from the internet into a mainstream creative genre. Its latest transformation is evident through the increasing convergence of games and film where real-time virtual production as a professional creative practice is resulting in new forms of machine-generated interactive experiences. Using the most culturally significant machinima works (machine-cinema) as lenses to trace its history and impacts, ‘Pioneers of Machinima: Beginnings of Virtual Production’ provides in-depth testimony by filmmakers and others involved in its emergence. The extensive reference to source materials and interviews included bring the story of its impacts up to date through the critical reflections of the early pioneers. This book will be of interest to machinima researchers and practitioners, including game culture, media theorists, students of film studies and game studies, digital artists and those interested in how creative technologies have influenced communities of practice over time.
Goodness, Truth, and Meaning in the Midst of Today’s Mad Chase for Prosperity and Instant Feedback
Mark Ellingsen, Interdenominational Theological Center
Availability: In stock
90pp. ¦ $29 £22 €25
The flat world of our globalized economic order—with its information technology mandating the need for the labor force to compete globally—has led to turmoil, injustice, and growing unhappiness in our everyday lives. We need a way to find some mountaintops and fulfillment in our flat world, to have a sense that some moments can have eternal significance. Søren Kierkegaard, forerunner of Existentialism, provides us with a vision of life to help us cope and give us joy. Along the way, we’ll see how a lot of his insights connect with cutting-edge findings on brain research about the biological dynamics of joy and fulfillment. Finding Peaks and Valleys in a Flat World will be of interest to undergraduate Philosophy and Religion students as well as Kierkegaard specialists. It will also be a good reference work for people interested in social analyses and theologians of every denominational affiliation.
$61 £46 €52
Richard Chalfen, Temple University
$61 £46 €52
'Snapping and Wrapping' represents an original study in Japanese visual culture, pictorial communication, and photographic studies. Vernacular visual culture is highlighted, stressing ordinary people and everyday life to explore photographic expressions of Japanese family life. The theme of “how people looked” is described from two closely related perspectives: how people appeared in their own photographs, and how people looked at specific features of their own lives with analog camera technology. The book includes unexamined material based on a qualitative study involving personal fieldwork undertaken between 1993 and 2009. The metaphor of “wrapping culture” (Hendry) is suggested for ways of interpreting relationships of personal family photographs in conjunction with acknowledged cultural influences and values of Japanese culture. Across an introduction and six chapters, the book covers a series of research topics evoked by efforts to recover, repair, and return millions of photographs to survivors following the 2011 Great East Japan Earthquake. Memory, privacy and kinds of information control are reviewed as parts of strategies of sharing pictures, “presence” and the use of photographs for interpersonal interaction and communication. Throughout the monograph, emphasis is placed on understanding details of analog personal photography for potential comparisons to the intensely popular digitalization of photographic recordings and, in turn, facilitate making informed speculations for future photographic practice. This book will be of interest to upper-level and graduate students and young scholars in the fields of media and culture and Asian Studies (especially Japanese visual culture), as well as those working on sensitive relationships of family, memory and representation.