A bold stance that challenges received wisdom is a difficult endeavor for the best of writers. DePergola sets out on an exciting pathway to write an imaginative and original analysis of the relation between memory, emotion, identity, and ethical decision making. In this breathtaking view of over fifty years of memory research, the reader not only evidences brinkmanship on the cutting edge of neuroscience, but also a tour de force on moral normativity. ...Gerard Magill, Vernon F. Gallagher Chair & Professor of Healthcare Ethics, Duquesne University
The Ideas, Identity and Art of Daniel Spoerri offers Anglophone readers fresh insights into the genesis of Spoerri's important work and illuminates fascinating intellectual exchanges between artists, curators, and other key figures in the European art world from the late 1950s to the present. Cempellin navigates sources in many languages on the multilingual artist, drawing on little-known archival materials and interviews to present key thematic elements in Spoerri's oeuvre. Through reference to projects such as Spoerri's Fluxus works, Eat Art, and Sentimental Museums, the artist's striking inventiveness and intellectual rigor come vividly to the fore.Jill Carrick, Carleton University, Canada
...Even though the study of art and of design are theoretical, Dr. Avital has come closer than anyone to approaching them as if they were empirical. His clear and rigorous parsing of the issues in The Confusion Between Art and Design dares disagreement and will do much toward concluding the argument.Prof. Mel Byars, Design Historian, author of The Design Encyclopedia
This is a refreshing account of research in all its entanglements – the research embedded in the contemporary neo-liberal university, in the careers of the connected academics, in the ‘life’, thoughts and reflections of the frontline researcher, and in the moments of connection between the researcher and the interviewees – here allowed to speak through extensive unmediated interview quotes.Dr Kezia Barker, Birkbeck, University of London
A profoundly researched, well-written and accessible study. Unlike other works of art history, it is addressed to a broader public with interests in the art market and also artists, gallerists and other ‘players’ in the art business.Prof. Dr. Tobias Vogt, Universität der Künste, College of Fine Arts, Berlin
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