Leonora Carrington: Living Legacies

Ailsa Cox, James Hewison, Michelle Man, Roger Shannon (Eds.)

by Catriona McAra (Leeds Arts University), Gabriel Weisz Carrington (Universidad Nacional Autónoma de México, Mexico), Claire Dean (Edge Hill University), Felicity Gee (University of Exeter), Alicia Kent (King's College London), Penny Sharman , Julia Salmerón (Universidad Autonóma de Madrid, Spain), Gerogina Sowerby (London South Bank University), Jon Lee (London South Bank University), Andrea Gremels (Goethe-Universität Frankfurt), Michelle Man (Edge Hill University), James Hewison (Edge Hill University), Tara Plunkett (University College Dublin), Alessia Zinnari (University of Glasgow), Roger Shannon (Edge Hill University)

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The English born artist and writer Leonora Carrington (1917–2011) has received much critical acclaim and achieved stellar status in Mexico, where she lived and worked for most of her life, having fled Europe via Spain in tormenting circumstances. Leonora Carrington: Living Legacies brings together a collection of chapters that constitute a range of artistic, scholarly and creative responses to the realm of Carrington emphasizing how her work becomes a medium, a milieu, and a provocation for new thinking, being and imagining in the world. The diversity of contributions from scholars, early career researchers, and artists, include unpublished papers, interviews, creative provocations, and writing from practice-led interventions. Collectively they explore, question, and enable new ways of thinking with Carrington’s legacy.

Wishing to expand on recent important scholarly publications by established Carrington researchers which have brought historical and international significance to the artist’s legacy, this volume offers new perspectives on the artist’s relevance in feminist thinking and artistic methodologies.
Conscious of Carrington’s reluctance to engage in critical analysis of her artwork we have approached this scholarly task through a lens of give and return that the artist herself musingly articulates in her 1965 mock-manifesto Jezzamathatics: “I was decubing the root of a Hyperbollick Symposium … when the latent metamorphosis blurted the great unexpected shriek into something between a squeak and a smile. IT GAVE, so to speak, in order to return.” (Aberth, 2010:149). In adopting her playful conjecture, this publication seeks to bring Carrington and her work to further prominence.

• A Feminist Marvellous: Chloe Aridjis and the Female Human Animal by Dr. Catriona McAra, Leeds Arts University

• “I was in another place”: The liminal journey in Leonora Carrington’s Down School of Modern Languages and Cultures, University of Glasgow

• Riding Along the Edge: The Shifting Subjectivities of Leonora Carrington’s Hybrids Dr. Tara Plunkett, School of Langauges, Cultures and Linguistics, University College Dublin

• Of Cabbages and Things: Dancing Carrington by James Hewison and Michelle Man, Edge Hill University

• Lucid Madness as Method? Surrealist Style in Leonora Carrington’s Down Below Dr. Andrea Gremels, Department of Romance Languages and Literatures, Goethe-Universität Frankfurt

• Alchemical Adaptations: performing Leonora Carrington’s The Hearing Trumpet by Jon Lee and Gerogina Sowerby, School of Arts and Creative Industries, London South Bank University

• Leonora, the battlefield by Dr. Julia Salmeron, Universidad Autonóma de Madrid

• Finding Leonora by Penny Sharman

• Creativity and Women’s Time in the Work of Leonora Carrington Department of Spanish, Portuguese & Latin American Studies, King's College London

• If These Walls Could Talk: Leonora Carrington’s Psycho-Spatial Rooms by Felicity Gee

• Leonora, Fly! by Dr. Claire Dean, Edge Hill University

• In conversation with Gabriel Weisz Carrington Prof. Roger Shannon, Edge Hill University

Professor Ailsa Cox is the only UK academic in the UK to hold a Professorship in Short Fiction. She is a much-published author and leads creative writing workshops on Carrington for postgraduate students.

Professor Roger Shannon, under the aegis of EHU’s Institute for Creative Enterprise (ICE) has generated extensive critical discussion around the screen showings of Josh Appignanesi’s film Female Human Animal (2018) and Teressa Griffith’s Leonora Carrington: the Lost Surrealist (2017). He hosted “In Conversation about Leonora Carrington” (2015) with the then Artistic Director of Tate Liverpool Francesco Manacorda and the journalist, writer and Carrington family member Joanna Moorhead.

Senior Lecturers James Hewison and Michelle Man’s choreographic work “Imaginarium” (2015), partly developed at Carrington’s childhood home in Lancashire, was premiered at the 2015 Tate exhibition and has since toured internationally.

Collectively the editors bring together their expertise from different fields of research creating a multi-faceted lens through which they have been able to develop, disseminate and promote what they identify in this volume as the vibrancy of Carrington’s living legacies, her cult status, as well as her historical importance within art and feminist writings. Their research activities and performances also contributed to the institution’s support for the Leonora Carrington: Transgressing Discipline exhibition at the Tate, Liverpool (2015).

Leonora Carrington, Susan Aberth, Posthumanism, Lancashire, Down Below, The Hearing Trumpet, intertextuality, Surrealism, marvellous, Feminism, liminality, hybrid, bodies, subjectivity, grotesque, female monster, choreography, theatre making, architecture, space and place

Subjects
Sociology
Language and Linguistics
Series
Vernon Series in Art
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