Anthropology (23) Art (145) Business and Finance (36) Cognitive Science and Psychology (45) Communication and Journalism (38) Economics (106) Education (53) History (134) Human Geography (21) Interdisciplinary (33) Language and Linguistics (132) Law (13) Music Studies (15) Philosophy (190) Political Science and International Relations (99) Sociology (318) Statistics and Quantitative Methods (17) Philosophy (53) Series in Literary Studies (43) Education (40) Sociology (33) World History (25) Politics (23) Bridging Languages and Scholarship (19) Language and Linguistics (19) Art (18) Cognitive Science and Psychology (16) Philosophy of Religion (15) Critical Perspectives on Social Science (14) Series in American History (14) Cinema and Culture (13) History of Art (12) Curating and Interpreting Culture (11) Anthropology (11) Business and Finance (11) Economics (11) Music (9) Series in Critical Media Studies (8) Law (8) Communication (7) Economic Methodology (7) Series on Climate Change and Society (6) Vernon Classics in Economics (6) Performing Arts (6) Philosophy of Forgiveness (5) Philosophy of Personalism (5) Economic Development (5) Economic History (5) Women's Studies (5) Series in Built Environment (4) History of Science (4) Series in Contemporary History (3) Series in Creative Writing Studies (3) The Interdisciplinary Built Environment (3) Serie en Sociología (2) Series in Innovation Studies (2) Series in Philosophy of Science (2) Series in Social Equality and Justice (2) Serie en Entorno Construido (1) Serie en Estudios Culturales (1) Serie En Estudios Literarios (1) Serie en Filosofía (1) Series in Classical Studies (1) Series in Design (1) Series in Heritage Studies (1) Series in Urban Studies (1) Economics of Technological Change (1) English Spanish
by Author

Browsing with filters

Subject: Art

The Enlightened Mind: Education in the Long Eighteenth Century

Edited by Amanda Strasik, Eastern Kentucky University

September 2022 / ISBN: 978-1-64889-514-2
Availability: In stock
164pp. ¦ $68 £57 €64

The rise of Enlightenment philosophical and scientific thought during the long eighteenth century in Europe and North America (c. 1688-1815) sparked artistic and political revolutions, reframed social, gender, and race relations, reshaped attitudes toward children and animals, and reconceptualized womanhood, marriage, and family life. The meaning of “education” at this time was wide-ranging and access to it was divided along lines of gender, class, and race. Learning happened in diverse environments under the tutelage of various teachers, ranging from bourgeois mothers at home, to Spanish clergy, to nature itself. The contributors to this cross-disciplinary volume weave together methods in art history, gender studies, and literary analysis to reexamine “education” in different contexts during the Enlightenment era. They explore the implications of redesigned curricula, educational categorizations and spaces, pedagogical aids and games, the role of religion, and new prospects for visual artists, parents, children, and society at large. Collectively, the authors demonstrate how new learning opportunities transformed familial structures and the socio-political conditions of urban centers in France, Britain, the United States, and Spain. Expanded approaches to education also established new artistic practices and redefined women’s roles in the arts. This volume offers groundbreaking perspectives on education that will appeal to beginning and seasoned humanities scholars alike.

The Theatre of Twenty-First Century Spain / El teatro de España del siglo XXI

Identities, Anxieties, and Social Immediacies / Identidades, ansiedades e urgencias sociales

Edited by Helen Freear-Papio, College of the Holy Cross and Candyce Crew Leonard, Wake Forest University

September 2022 / ISBN: 978-1-64889-480-0
Availability: In stock
249pp. ¦ $89 £73 €84

Identifying, naming, and belonging lend a sense of rational order, a feeling of rootedness within specific societies and eras, yet that order may collapse and threaten to undermine the predictability that ensures stability. As Spain enters only its fifth decade as a fully democratic nation, the country’s identity is unfocused and disorganized as it continues to reckon with its traumatic past. The nine research essays presented in this volume, all on plays authored in the twenty-first century, aim to address the myriad of complex social immediacies that impact Spain in the twenty-first century. Such topics include: non-heteronormative gender identity; “fake news” and how facts are interpreted, withheld, or distorted; female self-agency and authorship; violence against women; and the ongoing need for justice for family histories that have been erased and repressed by Spain’s inability to resolve its recent past. Identificar, nombrar y pertenecer brinda un sentido de orden racional, un sentimiento de arraigo dentro de sociedades y épocas específicas, pero ese orden puede colapsar y amenazar con socavar la previsibilidad que asegura la estabilidad. A medida que España entra en su quinta década como una nación totalmente democrática, la identidad del país está desenfocada y desorganizada mientras continúa teniendo en cuenta su pasado traumático. Los nueve ensayos de investigación presentados en este volumen, todos sobre obras de teatro de autor del siglo XXI, pretenden abordar la miríada de complejas inmediateces sociales que impactan en la España del siglo XXI. Dichos temas incluyen: identidad de género no heteronormativa; “noticias falsas” y cómo se interpretan, ocultan o distorsionan los hechos; auto-agencia y autoría femenina; la violencia contra las mujeres; y la continua necesidad de justicia por las historias familiares que han sido borradas y reprimidas por la incapacidad de España para resolver su pasado reciente.

Thomas Jefferson on Taste and the Fine Arts

M. Andrew Holowchak

August 2022 / ISBN: 978-1-64889-478-7
Availability: In stock
217pp. ¦ $73 £58 €68

Jefferson tended to classify the books of his libraries under the Baconian headings of memory, reason, and imagination, which corresponded to history, philosophy, and the fine arts. Thus, education in the Fine Arts, which Jefferson listed as eight, was considered an indispensible part of the life of an educated person—especially a Virginian. An educated person needed knowledge of architecture, gardening, painting, sculpture, rhetoric, belle lettres, poetry music, and criticism, considered as a sort of meta-art. Knowledge of such arts was indispensible because each person, thought Jefferson, was equipped with a faculty of taste as well as ratiocination and a moral-sense faculty—each of which required cultivation for human thriving. An uncultivated imagination would severely impair ratiocination and moral sensitivity. This book is the first book-length attempt to flesh out and critically assess Jefferson’s views on taste and the Fine Arts. It is a must read for any serious biographer of Jefferson.

Novels, Rhetoric, and Criticism: A Brief History of Belles Lettres and British Literary Culture, 1680 – 1900

Jack M. Downs, Washington State University Health Sciences Spokane

July 2022 / ISBN: 978-1-64889-476-3
Availability: In stock
158pp. ¦ $53 £42 €50

Developing a history of the English novel requires the inclusion of a vast range of cultural, economic, religious, social, and aesthetic influences. But the role of eighteenth-century English rhetorical theory in the emergence of the novel – and the critical discourse surrounding that emergence – has often been neglected or overlooked. The influence of rhetorical theory in the development of the English novel is undeniable, however, and changes to rhetorical theory in Britain during the eighteenth century led to the development of a critical aesthetic discourse about the novel in Victorian England. This study argues that eighteenth-century 'belles lettres' rhetorical theory played a key role in developing a horizon of expectation concerning the nature and purpose of the novel that extended well into the nineteenth century. There is a connection between the emergence of the English novel, eighteenth-century rhetorical theory, and Victorian novel criticism that has been neglected; this study attempts to recover and articulate that connection.

Lionello Perera: An Italian Banker and Patron in New York

Diego Mantoan, University of Palermo, Italy

June 2022 / ISBN: 978-1-64889-442-8
Availability: In stock
227pp. [Color] ¦ $99 £73 €82

The book presents the long-lost biography of Lionello Perera, principal banker, patron, and philanthropist of the Italian American community in New York at the inception of the twentieth century. Born and raised in Venice, Lionello Perera took over his uncle’s financial activity in Wall Street and developed the family business into a stronghold of the Italian American community. His remarkable career led him to become the Vice President of Bank of America in 1928 as an associate of California born Amadeo P. Giannini, while he also was instrumental to the political success of New York mayor Fiorello La Guardia. Recognised as a true founding father of the Italian American community of the East Coast, he supported welfare societies and public hospitals to foster the integration of Italian immigrants. A close friend of star conductor Arturo Toscanini, Lionello Perera and his wife Carolyn Allen Perera turned into influential music patrons for Italian and Jewish musicians. Their unique Art Deco house in the Upper East Side became an epicentre of the New York music world, showcasing the banker’s refined art collection that matched the taste of J. Pierpont Morgan and Samuel H. Kress. The book relies on unprecedented archival material rendering justice to the relevance Lionello Perera holds as a contributor to the political, social, and cultural integration of Italians in the USA. It offers an innovative perspective that considers the tight interrelation of Italian Americans of the East Coast with ongoing events in their country of origin. Lionello Perera’s life highlights the silent contribution of Italian Americans to change the US banking system and help the integration of Italian immigrants in their new country. Hence, the main audience are students and scholars interested in the history of immigration, banking history, Italian American culture as well as music studies and art history.