The Portrait of an Artist as a Pathographer: On Writing Illnesses and Illnesses in Writing

Edited by Jayjit Sarkar, Raiganj University, India and Jagannath Basu, Sitalkuchi College, India

Focusing on the various intersections between illness and literature across time and space, The Portrait of an Artist as a Pathographer seeks to understand how ontological, phenomenological and epistemological experiences of illness have been dealt with and represented in literary writings and literary studies. In this volume, scholars from across the world have come together to understand how the pathological condition of being ill (the sufferers), as well as the pathologists dealing with the ill (the healers and caregivers), have shaped literary works. The language of medical science, with its jargon, and the language of the every day, with its emphasis on utility, prove equally insufficient and futile in capturing the pain and suffering of illness. It is this insufficiency and futility that makes us turn towards the canonical works of Joseph Conrad, Samuel Beckett, William Carlos Williams, Virginia Woolf, Kazuo Ishiguro, Miroslav Holub as well as the non-canonical António Lobo Antunes, Yumemakura Baku, Wopko Jensma and Vaslav Nijinsky. This volume helps in understanding and capturing the metalanguage of illness while presenting us with the tradition of ‘writing pain’. In an effort to expand the definition of pathography to include those who are on the other side of pain, the essays in this collection aim to portray the above-mentioned pathographers as artists, turning the anxiety and suffering of illness into an art form. Looking deeply into such creative aspects of illness, this book also seeks to evoke the possibility of pathography as world literature. This book will be of particular interest to undergraduate, postgraduate and research students, as well as scholars of literature and medical humanities who are interested in the intersections between literary studies and medical science.

Creating a Transnational Space in the First Year Writing Classroom

Edited by W. Ordeman, University of North Texas

During the first twenty years of the new millennium, many scholars turned their attention to translingualism, an idea that focuses on the merging of language in distinct social and spatial contexts to serve unique, mutually constitutive, and temporal purposes. This volume joins the more recent shift in pedagogical studies towards an altogether distinct phenomenon: transnationalism. By developing a framework for transnational pedagogical practice, this volume demonstrates the exclusive opportunities afforded to freshmen writers who write in transnational spaces that act as points of fusion for several cultural, lingual, and national identities. With reference to recent works on translingualism and transnationalism, this volume is an attempt to conceptualize effective writing pedagogy in freshman writing courses, which are becoming more and more transnational. It also provides educators and first year writing administrators with practical pedagogical tools to help them use their transnational spaces as a means of achieving their desired learning outcomes as well as teaching students threshold concepts of composition studies. This volume will be particularly useful for first year writing faculty at colleges and universities as well as writing program administrators to create a more effective curriculum that addresses these needs in classroom settings. All scholars with a doctorate in Rhetoric and Composition, English as a Second Language, Translation Studies, to name a few, will also find this a valuable resource.

Lingüística del castellano chileno / Chilean Spanish Linguistics

Estudios sobre variación, innovación, contacto e identidad / Studies on variation, innovation, contact, and identity

Edited by Brandon M. A. Rogers, Texas Tech University in Lubbock, Texas, USA and Mauricio A. Figueroa Candia, Universidad de Concepción, Chile

Ya desde el siglo XIX, el castellano chileno generó interés en lingüistas como Lenz (1891), quien lo aclamó como un geolecto dinámico y en constante evolución. Más recientemente, un grupo importante de lingüistas contemporáneos ha indicado que existe una gran cantidad de diferencias entre el castellano de Chile y otras variedades en varios frentes lingüísticos; tanto es así que debería considerarse como una zona dialectal independiente en el mundo hispanohablante. Su interés como caso práctico se ve reforzado por la incongruencia del grado particularmente alto de variación social y el menor grado de su variación geográfica. Lingüística del castellano chileno: Estudios sobre variación, innovación, contacto e identidad es el primer volumen de su tipo, y reúne el trabajo de un grupo diverso e internacional de investigadores e investigadoras del castellano de Chile. Mediante el uso de métodos, teorizaciones y análisis lingüísticos actuales, este volumen examina cómo el uso, la variación, las actitudes, la identidad y el cambio lingüístico se manifiestan de manera única en diferentes aspectos del castellano chileno y sus hablantes. Este volumen, que acerca el trabajo más actual sobre la lingüística española de Chile a la vanguardia del campo, constituye un recurso valioso para aquellos involucrados en la investigación y la enseñanza de la lingüística, la variación y el cambio lingüístico del castellano, así como para estudiantes de grado y posgrado. As early as the 19th century, Chilean Spanish attracted the interest of linguists such as Lenz (1891), who hailed it as an evolving and vibrant variety. In more recent times, a number of contemporary linguists have indicated that such a variety of differences exist between Chilean Spanish and other varieties on a number of linguistic fronts, that it should be considered as an independent dialectal zone in the Spanish-speaking world. Its interest as a case study is reinforced further by the incongruence of the particularly high degree of social variation and the small degree of geographical variation. Chilean Spanish Linguistics: Studies on variation, innovation, contact, and identity is the first of its kind, bringing together the work of a diverse and international group of researchers on Chilean Spanish. Through the use of current linguistic methods, theorization, and analyses, this volume examines how language usage, variation, attitudes, identity, and change are uniquely manifested in different aspects of Chilean Spanish and its speakers. Bringing the most current work on Chilean Spanish linguistics to the forefront of the field, this volume will be a valuable resource to all involved in the research and teaching of Spanish language linguistics, language variation, and change, as well as undergraduate and graduate students alike.

Publishing Northanger Abbey: Jane Austen and the Writing Profession

Margie Burns, University of Maryland, Baltimore County

Jane Austen was not born a global icon. It took years for her to break into print. Her first publication came after almost a decade of ups and downs, and her first novel out was not the first she sent to a publisher. Up to a point, lovers of Jane Austen probably know the publication history of Northanger Abbey—written first, published last. Austen wrote and revised the novel early, tried to get it published, then wrote all her other novels and ended up having Northanger Abbey come out with Persuasion, her last finished work. What we don’t know would fill a book—this book. The objective is to make her early publishing history clear, bringing to light information and original sources not drawn upon before. Beyond her lifetime, clarifying her publishing history also sheds light on an under-regarded novel. The early novel first titled Susan, then Catherine, then Northanger Abbey has sometimes been dismissed by critics, but it was never unimportant to Jane Austen herself. Publishing “Northanger Abbey”: Jane Austen and the Writing Profession is for all lovers of Jane Austen, in and out of universities, libraries, and fan clubs, including readers now staying home with their favorite novelists during the pandemic.

The Language of Emily Dickinson

Edited by Nicole Panizza, Coventry University and Trisha Kannan

"The Language of Emily Dickinson" provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson.