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Series: Series in Literary Studies

Carmen Boullosa: In Between Brooklyn and Coyoacan

Edited by María del Mar López-Cabrales, Colorado State University and María Rosario Matz, University of Massachusetts Lowell

ISBN: 978-1-64889-907-2
Availability: Available 4 weeks
174pp. ¦ $82 £66 €77

Focusing on the works of Mexican writer Carmen Boullosa for the English reader, this volume provides access to a critical analysis of Boullosa’s writings. Her daily writing has produced an enormous and varied literary corpus that includes narrative, theater, and poetry, in addition to her work in television. This volume is divided into three different segments. The initial part is composed of six essays that analyze Boullosa’s narrative and theatrical works. In these essays contributors evaluate and analyze Boullosa’s literary production, covering many of her novels, including 'Antes' (1989), 'Llanto: novelas imposibles' (1992), 'La Milagrosa' (1993) 'Cielos de la Tierra' (1997), 'La otra mano de Lepanto' (2005), 'La novela perfecta' (2006), 'El complot de los Románticos' (2009), 'Cuando me volví mortal' (2010), 'Las paredes hablan' (2012), 'Texas' (2014), and 'El libro de Ana' (2019) as well as her 'Teatro herético' (1987). By analyzing her literary corpus, contributors explore how she reshapes historical narratives and offers thought-provoking commentaries on our modern society and its problems. Boullosa’s writings invite an in-depth analysis due to their rich complexity and explorations of various themes, therefore this volume presents how her work has a significant social impact, prompting discussions on the topics of gender, power, history, social inequality, and cultural diversity while encouraging critical thinking and empathy. These critical essays are followed by an interview with the author. We decided to also include the Spanish version of this interview for those able to read it. Boullosa’s essay, 'Épica mía/ Mi épica (My Epic)' concludes this volume. When reading this essay, we suggest to the reader to keep in mind how often her works provide a voice to characters for whom History refused to grant one. This volume will provide its reader with a key to discovering the many layers present in Boullosa’s writing.

The Wizard of Mecosta: Russell Kirk, Gothic Fiction, and the Moral Imagination

Camilo Peralta, Joliet Junior College

March 2024 / ISBN: 978-1-64889-853-2
Availability: In stock
222pp. ¦ $78 £62 €73

"The Wizard of Mecosta" offers an extended analysis of the fiction of Russell Amos Kirk (1918-1994), a central figure in modern American conservatism who is often referred to as “the father” of the same. Born and raised in Michigan, Kirk was also a prolific writer of fiction, who published almost two dozen short stories and three novels over the course of his long career. At the heart of everything Kirk wrote was what he referred to as the “moral imagination,” a phrase he borrowed from Edmund Burke and often used to describe the instructive and enlightening purposes of great literature. Despite his prominent reputation as a public man of letters and the respect of fellow authors including Ray Bradbury and Stephen King, Kirk’s fiction was never very popular, and has fallen into almost complete obscurity in the present. "The Wizard of Mecosta" is the first full-length study ever published about Kirk’s fiction, and the only work of any length to consider the entirety of his output, including all of the stories and novels he wrote. By emphasizing how Kirk’s fiction illuminates certain aspects of his social and political theory, "The Wizard of Mecosta" distinguishes itself from the half-dozen or more studies of the author’s life and work that have been published since his death in 1994. It should appeal to anyone with an interest in American conservatism, as well as fans and scholars of the sort of Gothic horror in which Kirk, unexpectedly, excelled. Through his stories of avenging ghosts and timeless journeys through the afterlife, he reminds us of the existence of “permanent things,” the core values and beliefs of Western society, which he strove all his life to preserve. It is high time that his fiction found a more appreciative, and larger, audience.

Tolkien’s Transformative Women: Art in Triptych

Annie Brust, Kent State University

January 2024 / ISBN: 978-1-64889-623-1
Availability: In stock
282pp. ¦ $78 £61 €72

J.R. R. Tolkien has been revered as the father of twentieth-century fantasy; however, many initially criticized him for his handling of the textual matter as male-centric magical lands that did not feature prominent female roles or significant female characters. This book will highlight the vast community of powerful female figures that Tolkien created in his fantasy writing, stemming from the distinct and dominant female forces he created in his academic translation and poetry. These fierce women serve as a culmination of the powerful forces of women and female character that originated in Medieval, Norse, and Celtic traditions. They help to create the framework from which Tolkien shaped his female community, not merely as singular figures, as previously featured, but as a dynamic network of figures who shape Tolkien's creative art. For the first time, this discussion looks at the entire community of women, featuring previously excluded figures from his academic works and highlighting translation bias in modern manuscripts of the extant medieval works that influenced these women. It also seeks to create a comprehensive guide and detailed appendices exploring the female characters and influences throughout his writing portfolio. This book seeks to uncover the hidden voices of the past to find their rightful home in the strong female voices of the present, rewriting history to regain a sense of the past.

Psychedelic Modernism: Literature and Film

Raj Chandarlapaty

February 2024 / ISBN: 978-1-64889-823-5
Availability: In stock
268pp. ¦ $78 £62 €72

The primary purpose of 'Psychedelic Modernism: Literature and Film' is to trace the development of ideas and perspectives from the writing and private ambitions of 20th-century modernist writers, including Aldous Huxley. The purpose of the book is to offer a rough chronology during which ideas were first given a literary imagination, then transposed onto discussions of science and psychology, and then theoretically democratized to bring fruit to a relatively de-centered process where images, text, and interviews could re-conceptualize the modern Being from an admixture of modernist, historical, and pop roots that could express a greater moment in the human action. The work includes discussions from scientists such as Swiss chemist Albert Hofmann, rock stars such as Jerry Garcia, and unconfirmed mystics such as Carlos Castaneda. The primary focus of this work isn’t literature per se, but the literary imagination as it may correspond to greater, wider, and more impactive goals than the writing of 20th-century fiction. While there is some outreach that favors de-centered models such as the Beat Generation, the author’s primary purpose is to assemble an anthology covering the study and quests for knowledge from as many sides as could power the relative 1960s countercultural movement.

Eros and Thanatos. Love across Civilizations

Alberto Castelli, Hainan University, China

November 2023 / ISBN: 978-1-64889-804-4
Availability: In stock
254pp. ¦ $82 £65 €76

'Eros and Thanatos' is about the deadly nature of love. It is remarkable that literary critics have paid so little attention to the combination between love and death in literature. This book seeks to address this significant scholarly lacuna by exploring key literary texts of the last two hundred years as exemplary of a consistent tendency toward love and death. Its emphasis on singular characters and close readings suggests the spectrum of an arbitrary dichotomy never fully resolved. The existential discussion triggered by each plot is so intense that the erotic and the merely sexual seem inappropriate. Indeed, each writer chose to reduce it to the setting and background of a story that takes place elsewhere. With this in mind, the author intends to reflect love’s paradoxical nature. If love is triggered by beauty, beauty can be immoral and love must die to preserve the illusion of beauty.

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