Innovative Approaches to Narratives in Health Communication

Edited by Laura Blount Carper, Texas A&M University-Texarkana

'Innovative Approaches to Narratives in Health Communication' provides in-depth research studies, literature reviews, and step-by-step instructions for a variety of health communication contexts to help improve overall satisfaction and the empowerment of others. 'Innovative Approaches to Narratives in Health Communication' is intended to be used in many health-related contexts including, but not limited to, the classroom, further research, and health care professionals. While some texts focus on narratives in public communication or on a specific population (such as women’s health), this volume applies narratives in a variety of health communication contexts. 'Innovative Approaches to Narratives in Health Communication' opens with a chapter about the different types of narrative research, entertainment education, and narrative persuasion. Next, the first section includes chapters on the “human experience” and narratives. These chapters include powerful and emotional topics relating to the use of narratives in critical care, reproductive loss, video gaming and cancer narratives, and the impacts of the infant formula shortages. The second section highlights how narratives can be used in university/college-aged participants. The two chapters analyze how narratives can be applied to both the mental health of college students and those partaking in risky behaviors. The third and final section comprises chapters discussing the impacts of the COVID-19 pandemic and the use of narratives. The section begins with a chapter highlighting the “Coming age” during the pandemic and relevant research relating to narratives. The following chapters will include a discussion of the impacts of COVID-19 on black communities, and the importance of narratives with frontline workers. All of these chapters provide unique applications and examples that use narratives in current and important research. Overall, 'Innovative Approaches to Narratives in Health Communication' aims to provide a diverse audience with unique tools and perspectives to broaden our understanding and applicability of narratives in health communication contexts.

Community Engagement and the COVID-19 Pandemic

Affordances and Challenges of Service Learning in Crisis

Edited by Tawnya Azar, George Mason University

Community-engaged (CE) teaching is not a new concept. However, in the past several years, it has gained increased emphasis, as is evident by the changes to institution mission statements and the allocation of institution resources to support faculty development in CE teaching, as well as to support CE coursework and research. The arrival of the COVID-19 pandemic forced many faculty members to pivot to an all-online instruction model, impacting community-engaged teaching and research in both predictable and unexpected ways. Community partners, facing similar struggles to serve their communities with restrictions on face-to-face interaction, were often too overwhelmed to work with higher education volunteers. Legally, universities could not ask students to risk their health with face- to-face community engagement. In fact, the number of CE courses decreased dramatically in 2020 and 2021 due to the unique challenges posed by the pandemic. At the same time, the pandemic presented some CE faculty with new opportunities for community-engagement. Some responded swiftly to the immediate needs of the local, regional, or national community with which they worked, taking advantage of the affordances of digital technology or capitalizing on the issues that the pandemic itself created or exacerbated. This collection captures the incredible work (of pivoting and innovating) in community-engaged teaching. With a primary focus on community-engaged teaching in higher education, this collection explores how faculty, students, and community partners navigated their work during the COVID-19 pandemic. Additionally, it raises important questions about how we might stay engaged with community during a crisis.

Issues in Contemporary Journalism Education and Practice in Nigeria: Volume 1

Eric Msughter Aondover, Caleb University, Imota, Lagos, Nigeria and Nosa Owens-Ibie, Caleb University, Imota, Lagos, Nigeria

Strategic Implications of the War in Ukraine for the Post-Soviet Space

A View from Caucasus and Central Asia

Edited by Rovshan Ibrahimov, Hankuk University of Foreign Studies, South Korea and Fuad Shahbazov, Daniel Morgan School of National Security, US

This groundbreaking volume offers an in-depth exploration of how Russia’s 2022 invasion of Ukraine has reshaped the geopolitical landscape of the post-Soviet space, particularly in the Caucasus and Central Asia. Through expert analyses, the book examines the far-reaching consequences of the war, including shifts in regional alliances, energy security dynamics, the rise of new cooperation platforms, and the growing role of external actors such as China and Turkey. Through rigorous analysis, the book explores critical themes such as the shifting balance of power in the region, the re-emergence of the Organization of Turkic States, Azerbaijan’s deepening engagement with Central Asia, Kazakhstan’s strategic repositioning, and the complex interplay between Russia, China, Turkey, and the West. It also examines how regional actors are adapting to economic disruptions, energy security challenges, and evolving diplomatic alliances. Blending academic depth with policy relevance, "Strategic Implications of the War in Ukraine for the Post-Soviet Space" is an essential resource for scholars, analysts, and professionals in international relations, security studies, and Eurasian affairs.

Why Do Investors Act Irrationally? Behavioral Biases of Herding, Overconfidence, and Overreaction

Ooi Kok Loang

'Why Do Investors Act Irrationally? Behavioral Biases of Herding, Overconfidence, and Overreaction' explores the powerful psychological forces that drive investor decisions, often leading to irrational behavior and market turbulence. This book provides an in-depth analysis of three critical behavioral biases—herding, overconfidence, and overreaction—that influence investors across various financial markets. Drawing on cutting-edge research and real-world examples, it delves into why even experienced investors sometimes fall prey to these biases, challenging conventional financial theories that assume rational behavior. Designed for scholars, finance professionals, and advanced students, this book fills a gap in behavioral finance literature by examining not just the existence of these biases, but their consequences and the conditions that amplify or mitigate them. Unlike traditional finance texts, which focus primarily on quantitative models, this work bridges psychology and finance, making it uniquely suited for those interested in understanding the ‘why’ behind investor actions. It positions itself alongside essential readings in behavioral finance, offering original insights and a fresh perspective that will be invaluable to researchers, policy advisors, and practitioners alike. Its accessible yet academically rigorous content also makes it ideal for classroom adoption in advanced finance and behavioral economics courses, offering thought-provoking discussion points and practical implications. 'Why Do Investors Act Irrationally?' invites readers to rethink traditional assumptions about financial markets and provides actionable strategies to address the influence of irrational biases in investment decisions, making it an indispensable resource in the evolving field of behavioral finance.

Anthropology in Sporting Worlds

Knowledge, Collaboration, and Representation in the Digital Age

Edited by Sean Heath, KU Leuven, Belgium et al.

To do anthropology in a sporting world, one must reckon with the digital. As digital technologies become more widespread and increasingly sophisticated, people develop new ways to use them when playing, watching, and learning sport. This volume adds to the growing literature in the Anthropology of Sport by framing key debates in the light of this digital context. More importantly, the authors articulate how apparently trivial contexts such as sport are crucial for exploring the ways human beings incorporate digital technologies in their everyday lives. From taekwondo in Argentina to horse-riding in Morocco, the contributors to this volume explore a diverse range of sports across a variety of global locales. Through insightful ethnography, they show how fundamental elements of sport, including movement, competition, and values are increasingly mediated by digital technologies. Whether it is Sri Lankan cricketers analysing their practice frame-by-frame, English youth swimmers curating their Instagram feeds, or women footballers navigating urban spaces safely in Brazil, such examples indicate the diverse relationships that exist between sport and the digital. Throughout, the authors reflect on issues around knowledge, collaboration, and representation and consider their implications for undertaking anthropological work. This reveals how the fundamental relationship between anthropologist and interlocutor continues to change in the digital age. This book will be of interest to both students and scholars in anthropology and the social sciences, including sociology, sports sciences, cultural studies, geography, and history. The nuanced yet accessible discussion of method will be useful for students preparing to undertake ethnographic work, while the contribution to theoretical debates will aid researchers exploring sport and/or the digital. The international scope of this volume, combined with the broad scope of the arguments therein, ensure a wide appeal for many readers.

Everything is Design: The Hidden Ethics of Our Objects and Public Spaces

Alan J. Reid, Johns Hopkins University; Coastal Carolina University

Ethics – to put it concisely – is ‘mindful well-being’. It is a set of standards that guides how we treat ourselves, one another, and the environment. When we design things for public use, we also communicate an ethical perspective. When we use things designed for us, we adopt their ethics. This book synthesizes several different disciplines as they relate to design, ethics, and the built environment. Our objects, according to philosophers like Ihde, Verbeek, and Latour, mediate our experiences with the world around us. Through their designs (and, by extension, our perceived affordances), we largely comply with what our objects and spaces want us to do. At the micro-level, the phones in our pockets command our attentive processes in order to feed an attention economy. At the macro level, urban planning and infrastructure can both promote inclusivity and foment violence. We are deeply intertwined with the objects and spaces that have been designed for us. Baked into every object, process, system, and environment are the remnants of the designer’s morals, ethics, values, and biases. Importantly, this book seeks to cultivate mindfulness of the reader’s interactions with their surrounding world, providing them with a line of inquiry that questions areas of unethical design in their built environment and offers useful critiques and new solutions to these ethical dilemmas. We often have the power to reject those things that are irresponsibly designed and unethical in nature, and it is through this agency as users that we can demand better from designers, developers, and companies. It is imperative to understand our mediated relationships with the built environment that surrounds us and the objects within it; this can help explain our behaviors and empower us to make ethical decisions that serve future generations.

Revulsion: The Paradox of Disgust in the Rape-Revenge Narrative

Brandon West

The extant scholarship of the rape-revenge narrative has frequently either upheld this narrative form’s feminist bonafides (Clover) or condemned it as misogynistic (Creed). In this volume, West argues that these competing camps of thought have largely elided rape-revenge’s inherent ambivalence, which stems from the paradoxical role disgust plays in rape-revenge texts. That is, disgust is essential for portraying rape as the horrific act it is, but employing disgust in a rape-revenge text risks alienating audiences. To explore this issue, Brandon West first shows the strengths and pitfalls of different methods rape-revenge auteurs have used to approach this disturbing narrative form. Showing rape and revenge in graphic detail has well-documented issues in the scholarship, but the author shows how texts that eschew such graphic portrayals also have their own consequent weaknesses. Thereafter, West articulates the paradox of disgust so he can isolate this key issue hounding these texts and analyses thereof. Then, West shows how disgust plays multiple roles in these texts, roles that make the paradox more challenging to resolve. To this end, the book shows disgust not only risks alienating audiences but also forms part of the pleasure these texts offer audiences. And so, West enumerates the possible pleasures of disgust. Finally, this book pulls these threads together to examine a couple of final rape-revenge texts, one of which, 2017’s 'Revenge', West argues, is the most successful anti-rape narrative discussed in this volume because of the balance it strikes between evoking disgust and avoiding alienating audiences.

Simply to Be Americans? Literary Radicals Confront Monopoly Capitalism, 1885-1938

Joel Wendland-Liu, Grand Valley State University

'Simply to Be Americans?' delves into the transformative power of radical U.S. literature from the late nineteenth to early twentieth centuries, uncovering how writers boldly confronted the intertwined forces of Americanism, capitalism, racism, imperialism, and patriarchy. Through the works of visionaries like Lucy Parsons, Albert Parsons, and Sutton Griggs, this book reveals how early literary radicals challenged the foundations of monopoly capitalism and white supremacy, planting the seeds for a culture of resistance that would flourish in the decades to come. Exploring the speculative genius of Mark Twain, Jack London, Gertrude Nafe, and W.E.B. Du Bois, 'Simply to Be Americans?' showcases how allegory and satire became powerful tools to dismantle nationalism, imperialism, and racial hierarchies. While these pioneers often grappled with the complexity of these systems, a study of their work illuminated both the possibilities and limitations of early radical thought. As the twentieth century unfolded, U.S. writers embraced revolutionary internationalism, forging connections between domestic struggles and global anti-imperialist movements. Figures like John Reed and Hubert Harrison championed solidarity across borders, while the Russian Revolution and worldwide labor uprisings inspired a new wave of politically charged art. Writers like Genevieve Taggard and W.E.B. Du Bois called for literature that expresses urgent struggles against systemic oppression. In the 1920s and 1930s, luminaries like Mary Burrill, Jean Toomer, Langston Hughes, H.T. Tsiang, Josefina Niggli, Lola Ridge, and Dorothy West rejected assimilation, exposing American society’s capitalist and imperialist core. Their works vividly exposed the intersections of race, class, and gender, advocating for unity among the oppressed. 'Simply to Be Americans?' redefines the legacy of U.S. radical literature, tracing its evolution and celebrating its enduring impact. This groundbreaking study reveals how these writers critiqued their world and laid the foundation for future movements against exploitation and injustice, offering timeless insights into today’s struggles.

The Senses and Memory

Edited by Chanelle Dupuis, Brown University

How are the senses and memory linked? What do sensory approaches to research reveal about the functions of memory? This edited volume encompasses various interdisciplinary projects that showcase the value of viewing the world through all of the senses and the ways that memory is multisensorial. From smell’s “Proust effect” to music’s ability to improve memory and mood, we remember and memorize the world through sensory input. This book expands research on multimodal work, the senses and materiality, the senses and methodology, sensing memories of the past, and technology’s impact on sensory lives. The chapters included cover all the senses, as well as the cross-modal experience of synesthesia. Each chapter further covers concepts related to memory studies, ranging from nostalgia, traumatic memories, and memorials to remembering the past (history), archives, and questions of identity. This edited volume is divided into five sections, each containing two to three chapters. The five sections, “Sensing Place and Space,” “Art as a Medium of Memory,” “In the Mind of Synesthesia,” “Making Sense of Materiality,” and “Technology and the Sensorium,” describe different groupings of interest. From questions of spatiality to digital life, each section invites the reader to explore new developments in the fields of memory studies and sensory studies and new insights on established topics. In these intimate, critical, and penetrating chapters, the authors of this book share new visions of what it means to write at the crossroads of the senses and memory and present new methodologies, frameworks, and pedagogies for examining this interconnection. A resource for both research and teaching, this volume represents a valuable guide for scholars working in sensory studies and memory studies. The hope is that the following pages will inspire future research and thinking in these evolving and expanding fields of study.

Cistercian Mysticism

Edited by Aage Rydstrøm-Poulsen, University of Greenland et al.

Since mysticism deals with the ultimate ideals and purposes of human existence, it is one of the most significant phenomena in Western cultural history. Mysticism had a significant role in the medieval monastic environment and, along with many other things, had a profound impact on Western intellectual culture. The history of mysticism in the West, is a history of the greatest and most significant aspirations and potentialities of the individual regarding the understanding of oneself and the divine. 'Cistercian Mysticism' is an outstanding example. The anthology’s chapters explore key aspects of Cistercian spirituality, including William of Saint-Thierry’s 'visio Dei' (the vision of God), a transformative encounter with the divine that is central to his mysticism, as well as the concept of 'sensus amoris.' 'Cistercian Mysticism' also explores Bernard of Clairvaux’s writings on the Song of Songs and the relation between contemplation and action, demonstrating how action service and contemplative love can coexist. Tradition is further enhanced by Aelred of Rievaulx’s thoughts on spiritual friendship, which highlight how human relationships based on love and introspection mirror the soul’s path toward divine union. By examining the writings of these influential figures, this volume offers a way to comprehend the close connection between the divine and the human soul, highlighting the importance of their contributions to the mystical and theological landscape of the Middle Ages. A book which will undoubtedly be highly enjoyed by scholars and students of all ages and religious communities.

Migration, Capitalism and Media

Edited by Kazım Tolga Gürel and Nalan Ova, The Suleyman Demirel University, Turkey

This study explores the intricate arrangements that serve the power and profit interests of the ruling classes. It examines how capital-driven approaches and life-colonizing construction goals form the backdrop to the events and analyses presented in these articles. Each contribution, regardless of its conclusion, begins with real-life experiences, interpreting specific theories and data through the lens of historical context. At the heart of the book lies the notion that all practices and elements of life are subject to colonization. Whether in the form of a nation-state or a party-state, the state functions as a power center shaping migration policies to serve ruling-class interests. The articles included were carefully selected by the editor. While some emphasize the concept of identity—an approach the editor may not fully endorse—these pieces were chosen to reflect a diversity of thought and to model the kind of genuine democracy that remains absent in today’s world. It is important to note that the book rejects any ideologies that violate human rights, such as fascism, racism, homophobia, misogyny, and xenophobia. This collection offers a compelling examination of themes including immigration, capitalism, and the media.

Casas Tomadas: Monsters and Metaphors on the Periphery of Latin American Literature and Media

Edited by Carlos A. González, Harvard University

'Casas Tomadas: Monsters and Metaphors on the Periphery of Latin American Literature and Media' examines how Latin American writers, filmmakers, and artists use monstrosity to reflect on marginalization, identity, and social trauma. This volume brings together close analyses of literature, film, and visual art from across Latin America, exploring how the monstrous symbolizes resistance to cultural, political, and historical oppression. Organized into four sections—Night Lights, In the Grip of Monsters, Echoes in the Darkness, and Sinister Spaces—the book offers case studies on works by Mariana Enríquez, Samanta Schweblin, Issa López, and others. Each chapter reveals how monsters, from mythic figures to supernatural landscapes, serve as potent metaphors for issues like queer and feminist activism, postcolonial haunting, and socio-political violence. Contributors engage with genres from horror and the Gothic to speculative fiction, situating monstrosity within Latin American experiences of violence, trauma, and resilience. Distinct for its interdisciplinary approach, 'Casas Tomadas' will serve as a key resource for students and researchers in Latin American Studies, Cultural Studies, and Gothic and Horror Studies. Its focused structure makes it ideal for classroom adoption, while its fresh perspectives on Latin American Gothic and the politics of monstrosity offer new insights for scholars in queer and postcolonial theory.

Vagabondage: A Timeless Reaction to the Malignancy of Western Civilization

Ian Cutler

This book concerns why the writers featured sought to exile themselves from mainstream society, not least by embracing the ‘natural’ world and an ascetic lifestyle. With the help of generous references from the 30-plus vagabond writers featured (plus many more contributions from secondary texts), Cutler has identified what he regards as the key features of the temperament and philosophy of those who rejected mannered, conventional society for a vagabond life. Each chapter addresses a different aspect of vagabondage under such themes as: wanderlust; the compulsion not to live a settled existence; asceticism; affinity with nature; the desire to retain the innocence (and mischief) of childhood; aloofness yet compassion for the rest of human-kind; and the rejection of formal education for knowledge experienced via their own senses. Refusing to be compromised by the grand narratives of religion, politics, law, nationalism, and convention, they regarded themselves as ‘citizens of the universe’ rather than slaves of what they regarded as geographical and political states artificially created by humans. Cutler attempts to rescue from obscurity, the philosophy first espoused by the ancient Cynics and now practiced—outside of any organized movement—by this disparate group of thinkers and writers, by presenting arguments and conclusions that are original to this work.

Liberation through destruction / Liberación a través de la destrucción

From fantastic creatures to marginalized social groups / De criaturas fantásticas a grupos sociales marginados

Edited by Gabriela Schiappacasse, University of Pittsburgh and Ekaterina Kagan, Russell Sage College, New York

In the literature of Spain, Latin America, and the Caribbean, countless acts of redefinition emerge through destruction, a powerful symbol of breaking free from oppressive forces and embracing independence. Within these narratives, characters undergo a process of redefinition, enabling them to assert themselves and advocate for their own rights, ultimately generating a sense of empowerment. But this transformation isn’t confined to human beings alone, it also extends to magical creatures, demonstrating that all entities, human or otherwise, have the power to reshape their destinies through the redefinition of their identities. 'Liberation through destruction: From fantastic creatures to marginalized social groups' portrays literary worlds in which a rich tapestry unfolds, where witches, sorcerers, demons, and other fantastical beings coexist within contemporary, modern, and even colonial settings. These characters breathe life into these narratives, giving voice to those marginalized, alienated, or rejected by society. However, the presence of these diverse and extraordinary characters challenges the established hierarchies. When women are seen as witches or portrayed as autonomous figures, fear often follows. The dissident woman becomes a target simply for refusing to conform. Her defiance against masculine subjugation, and her pursuit of feminine liberation and economic autonomy, forces her into a liminal space between what is accepted and what is repudiated, between what is considered “normal” and what is “terrifying.” This “woman,” who breaks the rules and challenges societal norms, who evokes the heroines who took action, like Antigone and La Llorona, heroines who act decisively to navigate the blurred line between what is “fair” and what is “unfair,” between what is “right” and what is “wrong.” In doing so, they enter a space where they are both feared and revered, they embody a liminality that gives them the ability to rewrite the stories they occupy and enter a realm where they are both feared and revered. En la literatura española, latinoamericana y caribeña, son frecuentes los actos de redefinición que, a través de la destrucción, se presentan como un poderoso símbolo de liberación de las fuerzas opresivas y de la adopción de la independencia. Dentro de estas narrativas, los personajes a menudo atraviesan un proceso de redefinición que les permite afirmarse y abogar por sus propios derechos, acompañado de un proceso de empoderamiento. Sin embargo, esta transformación no se limita solo a los seres humanos, sino que también se extiende a criaturas mágicas, demostrando que todas las entidades, sean humanas o no, tienen el poder de redefinir su identidad y, por tanto, transformar su destino. 'Liberación a través de la destrucción: De criaturas fantásticas a grupos sociales marginados', despliega un rico tapiz de mundos literarios donde brujas, hechiceros, demonios y otros seres fantásticos coexisten en escenarios contemporáneos, modernos y coloniales. A través de estos personajes, se consigue dar voz a aquellos que han sido marginados, alienados o rechazados por la sociedad. Sin embargo, la presencia de estos personajes no pasa de largo, sino que desafía el status quo. La aparición en estas obras de mujeres que son (o son vistas) como brujas o figuras autónomas suele causar miedo a su paso. La mujer disidente no pasa de largo, sino que se convierte en objetivo simplemente por no conformarse con lo que le viene impuesto. Su búsqueda de la liberación femenina y la autonomía económica la obliga a ocupar un espacio ambiguo entre lo aceptado y lo repudiado, entre lo que se considera “normal” y lo que se considera “terrorífico”. Esta “mujer” que rompe las reglas y desafía las normas sociales, evoca a heroínas como Antígona y La Llorona; heroínas que actúan de manera autónoma, fijando sus propias normas y situándose en una línea difusa entre lo “justo” y lo “injusto”, entre lo “correcto” y lo “incorrecto”. Al hacerlo, entran en un espacio donde son tanto temidas como veneradas, un espacio donde tienen la capacidad de reescribir sus propias historias.

Silk Road Footprints: Transnational Transmission of Sacred Thoughts and Historical Legacy

Edited by David W. Kim, Australian National University/ Kookmin University, Seoul, Corea

The Silk Road generally evokes images of places, cultures and peoples linked by the exchange of exotic goods and fabled treasures. The notion of the subject, however, often disregards the historical fact that the Silk Road routes functioned as a unique channel for spreading religious ideas, culture and literature. The personal or community beliefs of the Silk Road were changed radically as a result of the impact of external influences. 'Silk Road Footprints: Transnational Transmission of Sacred Thoughts and Historical Legacy' demonstrates that sacred communities interacted, coexisted, competed and influenced each other over long periods. These include those local traditions that evolved in ancient China, the Middle East, Africa, Central Asia, Korea and Japan and the subsequent larger traditions that arose in the region—Judaism, Buddhism, Christianity and Islam—as well as the shamanistic and animistic traditions of various nomadic peoples. The history of religions along the Silk Road is a remarkable illustration of how beliefs and civilisations often reflect a broad pattern of synthesis rather than clash. This book indicates that Asia (South, Southeast, East Asia and China), one of the most pluralistic religious regions in the world, has become a center of attention as a bridge between cultures. Ultimately, the creative study of the Silk Road and religious transnationalism evidences the implication that the local groups have been developed under the new environment of sacred principles and traditions as well as political influence.

Affecting the Conflict: Mediations of the Colombian War in Contemporary Art and Film

Rubén Darío Yepes Muñoz, Georgia College and State University

This book focuses on the art and films produced between the years 2002 and 2017 in relation to the Colombian armed conflict. It asks the following questions: How have contemporary art and film addressed the Colombian conflict? What are the contributions of these forms of visual culture to the memorialization of the armed conflict and the overcoming of its negative legacies? The main goal is to understand the ways in which contemporary art and film contribute to the historical and social transformations that Colombian society needs to undertake if it is to move beyond the violence and trauma of an internal war that has gone on for over fifty years and produced at least six million victims. The main claim is that the artworks and films in question mediate the conflict rather than represent it. In other words, they bridge the distance between their urban audiences and the predominantly rural conflict. Paying heed to the “affective turn” of the humanities and social sciences, the book also claims that this mediation consists, first and foremost, an affective engagement with the conflict’s history, events, and victims. This affective engagement counters the apathy toward and removal from the conflict that has predominated in Colombian urban sectors. Thus, the singularity of this book lies in the fact that it studies a topic that has not been adequately addressed within English-speaking academia, as well as in its cross-media and interdisciplinary scope. Moreover, it is noteworthy for the originality of its approach and, especially, its attention to affect.

Making of the Popular: Production of Culture and Discourses in Bangladesh

Manosh Chowdhury

This book aims to illustrate how the 'popular' is not an arbitrary outcome as it is claimed to be, and how the project of constructing the popular functions as a web composed of different agents - governmental and state agencies, the media, corporate groups, development agencies, and the military with subtle nuances. Different agencies overlap in many aspects but work as a pact for making a national-popular. With specific references to Bangladesh, this book tends to illuminate how these agencies share similar missions and objectives, create spaces to collaborate with each other, and, regardless of specific disputes among them, maintain and manifest an oligarchic relationship. This is the flexible, yet definitive, location of the popularizing project - a 'cultural mission' of the ruling systems. It would deny a simplistic understanding of popular culture and posit the question of the popular within a complex web of social agencies in a particular space, at a specific historical juncture. Making popular here is integral to claiming populist credibility both as a cultural and political mission. It is cultural in the way the projects are launched and manifested and seek to reveal certain meanings. It is political in terms of configuring indoctrination over its subjects, mostly in the form of nationalist exhibitions. The project is becoming even more important for the corporate groups as it does not necessarily contest the state machinery but rather takes it as a 'de facto' ally.

Political Breakout: Situation, Need, Action

Tony Fry

The book is totally preoccupied with thinking beyond existing political thought and institutions. It recognizes that irrespective of who or where we are, and no matter if we know it or not, “we” now all live in “the end times.” Most explicitly, this moment is expressed by evolutionary biology, making clear that planetary life is at the start of the sixth extinction event – a situation indivisible from climate change impacts. The already unstable geopolitical “state of the world” and its dangers will amplify the coming eco-environmental conditions, resulting in population displacement, resource stress, critical conditions of food security, and conflict. Globally, across all political ideologies, existing institutional politics demonstrate an incapability of responding to these situations. There is an evident temporal disjuncture between how extant politics is positioned in time and the moment of an ever-accelerating end times. Effectively, political institutions, their theory and practice, are out-of-step with terminal speeding “defuturing” events. As the book makes clear, this situation needs to be fully recognised. At the same time, there are visions and political positions presenting themselves as directing what will come after the end times. Viewing these positions indicates that the future will be plural and contested. In one direction, technology and corporations will become even more powerful (as a critique of the literature on “accelerationism” shows). But at the other extreme, a huge swathe of displaced humanity is almost certain to be abandoned. In the face of these prospects, new political thinking and practices are essential. But this will not come from the existing political paradigm. Such change needs a new political imagination. Responding to this need is a primary focus of the book. To do this, the influence of Spinoza on political imagination provides a key point of engagement and departure.

Affecting the Conflict: Mediations of the Colombian War in Contemporary Art and Film

Rubén Darío Yepes Muñoz, Georgia College and State University

This book focuses on the art and films produced between the years 2002 and 2017 in relation to the Colombian armed conflict. It asks the following questions: How have contemporary art and film addressed the Colombian conflict? What are the contributions of these forms of visual culture to the memorialization of the armed conflict and the overcoming of its negative legacies? The main goal is to understand the ways in which contemporary art and film contribute to the historical and social transformations that Colombian society needs to undertake if it is to move beyond the violence and trauma of an internal war that has gone on for over fifty years and produced at least six million victims. The main claim is that the artworks and films in question mediate the conflict rather than represent it. In other words, they bridge the distance between their urban audiences and the predominantly rural conflict. Paying heed to the “affective turn” of the humanities and social sciences, the book also claims that this mediation consists, first and foremost, an affective engagement with the conflict’s history, events, and victims. This affective engagement counters the apathy toward and removal from the conflict that has predominated in Colombian urban sectors. Thus, the singularity of this book lies in the fact that it studies a topic that has not been adequately addressed within English-speaking academia, as well as in its cross-media and interdisciplinary scope. Moreover, it is noteworthy for the originality of its approach and, especially, its attention to affect.