The Singularity of State Repression

Alexei Anisin, Anglo-American University

What sets a single bout of state repression apart from a longer trajectory of political violence? Why does state repression of protesters sometimes result in discrete events of violence while, in other cases, it spurs larger cascades of political violence such as politicide, genocide, or civil war? This book introduces a new framework for state repression and its relationship to different forms of civil resistance. It argues that state repression in the modern era of history is an empirical phenomenon that has been marked by singularity. Through taking the law of coercive responsiveness as a starting point, this book reveals that when political status quos are challenged by civilians, states do respond in law-like ways, but the impact that state repression has on social change is more heterogeneous than previously considered. State repression has brought about indeterminate effects and outcomes across space and time. Through analyzing event-based data featuring 24 variables on a cross-national sample of 171 different protest massacres that arose from 1819-2022, this book provides among the more wide-reaching comparative inquiries into repression and dissent to date. It draws on comparative sequential analysis to identify three different processes in which the sample of cases is matched alongside causal mechanisms and sequence types. The mixed methodological approach drawn in this book features quantitative analysis, process tracing, and qualitative case studies. Readers are taken on a journey through tumultuous periods of political violence that range from 19th-century massacres in the U.S. to 1928 Colombia and 1970s Apartheid, 1990s China, the Arab Spring, and contemporary Syria and Myanmar, among a diverse range of other cases. Along with identifying new quantitative insights into civil resistance strategies and various geographic and temporal dynamics associated with repression, the analyses presented in this book offer timely insight into policies that can aid the prevention of human rights violations.

Women’s Representations from Radical Naturalism to the New Woman Response

A Transatlantic Perspective of European, Latin American, and American Narratives

José F. Rojas-Viana, Louisiana State University

In this book, Rojas explores comparatively the representations of deviant and criminal women in the late nineteenth and early twentieth centuries from Transatlantic perspectives in literary productions of the first-wave feminist writers of the New Woman movement and writers of Radical Naturalism. This work addresses how the writers' sex is relevant in depictions of social constructions of female characters and how they established a dialogue based on gender through the themes of 'femme fatale', marginal spaces, eugenics, and social Darwinism in the novels of Emilia Pardo Bazán's 'La piedra angular' (1891), 'La gota de sangre' (1911), and "Tio Terrones" (1920); Refugio Barragán de Toscano's 'La hija del bandido o los subterráneos del nevado' (1887); Federico Gamboa's 'Santa' (1903); Kate Chopin's (Katherine O'Flaherty) 'The Awakening' (1899); Thomas Hardy's 'Tess of the D'Urbervilles' (1891); and 'Grand's Ideala' (1888). There is a good volume of research on different aspects of these novels, but this book addresses issues of the social constructions of deviant and criminal women from an interdisciplinary and metatheoretical perspective often missed from established criticism. This work is not only reachable for the non-expertise reader, graduate, or undergraduate students but also it is sufficiently elaborated for the expert reader in different fields. It provides a detailed analysis of the social, historical, philosophical, and scientific background that shows how the treatment of the female characters converges and diverges from male and female writers of the New Woman and Radical Naturalism points of view. It can be a good contribution for references or classes in Hispanic studies, gender studies, women's studies, sexuality studies, nineteenth-century studies, and in other fields.

Transfiction: Characters in Search of Translation Studies

Edited by Marko Miletich, SUNY Buffalo State University

This book explores the uses of translation, translators, and interpreters in fiction as a gateway to introduce issues related to Translation Studies. The volume follows recent scholarship on Transfiction, a term used to describe the portrayal of translation (both a topic and a motif), as well as translators and interpreters in fiction and film. It expands on the research by Kalus Kaindl, Karleheinz Splitzl, Michael Cronin, and Rosemary Arrojo, among others. Although the volume reflects the preoccupation with translator visibility, it concentrates on the importance of power struggles within the translatorial task. The volume could be an invaluable tool to be used for pedagogical purposes to discuss theoretical aspects within Translation and Interpreting Studies.

Science, technology and society for a post-truth age: Comparative dialogues on reflexivity

Edited by Emine Onculer Yayalar and Melike Sahinol

In an era shaped by misinformation, conspiracy theories, and anti-science movements, Science and Technology Studies / Science, Technology and Society (STS) provides a lighthouse of insight and interdisciplinary research. This volume, 'Science, technology and society for a post-truth age: Comparative dialogues on reflexivity,' embarks on a transformative journey through the interdependencies of science, technology, and society, offering vital perspectives and new insights on these challenging topics. This book, written by scholars in the field, reshapes post-truth discourse through STS and positions STS as a central force in addressing the post-truth crisis. It presents a compelling contribution that anchors STS at the heart of contemporary debates about truth and knowledge. 'Science, technology and society for a post-truth age: Comparative dialogues on reflexivity' is a contemporary and thought-provoking exploration of the evolving relationship between knowledge, truth, and society. It makes the case that STS is a catalyst for reshaping our understanding of truth in an age characterised by scepticism and uncertainty.

The City on Screen: Modern Strangers of Cinematic Istanbul

Sertaç Timur Demir, Gümüşhane Üniversitesi, Turkey

‘The City on Screen: Modern Strangers of Cinematic Istanbul’ attempts to analyze how Istanbul is captured through the projector; in other words, the ontological relationship between city and film and how it is elaborated within the context of Istanbul and the sense of strangerhood. This book shifts the axis of Istanbul, typically known as a touristic city, to its underlying details through the strangers in the modern city. Five different films set in this region are analyzed in the text that help to reveal and clarify the socio-urban life of modern Istanbul. The characters and stories in these films tell how Istanbul has socially and architecturally become a city of strangers. The films analyzed include ‘A Touch of Spice’ (2004), ‘Men on the Bridge’ (2009), ‘A Run for Money’ (1999), ‘Distant’ (2002), and ‘10 to 11’ (2009). The theoretical framework of this book is based on the works of Georg Simmel, Zygmunt Bauman and Richard Sennett. These three thinkers have all attempted to look for answers to the sociological question of strangerhood in urban living. This book accomplishes this connection by discussing the similarities and differences between each of their theories regarding the city, cinema and strangerhood.