Elizabeth Craven: Writer, Feminist and European

Julia Gasper

July 2017 / ISBN: 978-1-62273-275-3
Availability: In stock
334pp. ¦ $65 £55 €62

Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.

Beyond Realism: Seeking the Divine Other

A Study in Applied Metaphysics

Simon Smith, University of Surrey

June 2017 / ISBN: 978-1-62273-225-8
Availability: In stock
342pp. ¦ $65 £55 €60

The meaning of “God-talk” remains the fundamental issue facing religious thinkers today. This study concerns the analogies needed to make sense of that talk. Embracing those analogies signals the application of Austin Farrer’s cutting-edge theology. Almost fifty years after his death, Farrer remains one of the twentieth century’s last great metaphysical minds, his grasp of faith and philosophy unequalled. Having defended religious thought against both Positivist and Process reduction, he pursued his own revision of scholastic tradition, ultimately developing the vital corrective to an overweening impersonalism, one which depersonalises the divine so severs the cosmological connection. Following this course returns us to an earlier tradition, to a metaphysic of persons exemplified in the expressions of lived faith. This draws upon the logic of personal identity: what it means to be, or rather, to become, a person. Hence, journey’s end lies in a Feuerbachian anthropology of theology or ‘anthropotheism’. Like Farrer, Feuerbach used the believer’s language to relocate theology and philosophy within a framework that makes fertile use of anthropomorphic personifications to ‘think’ God. Revisiting the personalist presuppositions of metaphysics in this way throws light on the most vital questions of personal identity. To answer them is to ‘draw’ reality on a grander scale than either realism or consequentialism is capable of. Most importantly, it is locate our place within that image. Doing theology dynamically or psychologically informed – as both Farrer and Feuerbach insisted – means recognising the constitutive role such images play in self-construction. Without active participation in our ideals and aspirations, we cannot become persons at all; participation entails the enactment of our prospective selves. This returns us to the practice of piety: faith in a Godly person. Here we find the reconstruction of Feuerbach’s anthropology as applied theology and, by extension or amplification, the completion of Farrer’s personalist metaphysics.

Atheism and the Christian Faith

Edited by William H. U. Anderson, Concordia University of Edmonton in Alberta

August 2017 / ISBN: 978-1-62273-173-2
Availability: In stock
224pp. ¦ $70 £60 €67

Atheism and the Christian Faith is an anthology of the proceedings from a conference of the same name which convened at Concordia University of Edmonton in May 2016. The book represents a wide diversity of subtopics—primarily from a philosophical perspective—including submissions from atheists, agnostics and theists. This combination of topics and perspectives makes the book totally unique. There are arguments for and against theism. The foreword to the book is by Professor Richard Swinburne, Professor Emeritus of Philosophy at Oxford University, who contributes two chapters to the book: “Why Believe That There is a God?” and “Why God Allows Suffering”. The book includes a chapter from renowned astrophysicist, and former student of Stephen Hawkins, Professor Dr. Don Page from the University of Alberta “On the Optimal Argument for the Existence of God”. Atheism and the Christian Faith advances arguments around serious philosophical issues of direct relevance to contemporary society. It will be of interest to a broad range of scholars in philosophy, theology and epistemology.

The Ideas, Identity and Art of Daniel Spoerri

Contingencies and Encounters of an ‘Artistic Animator’

Leda Cempellin, South Dakota State University

July 2017 / ISBN: 978-1-62273-195-4
Availability: In stock
256pp. ¦ $58 £50 €55

The term “artistic animator” is inspired by the definition “Kunstanimator” given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others. His fluctuating memberships during late Modernism (Zero, Nouveau Réalisme, Fluxus, Mail Art) explain why some areas of this work have not yet received their due attention and their connection to the whole picture has often eluded scholarly inquiry. Beyond his tableaux-pièges, which gave him immediate notoriety through an early purchase by the MoMA, Spoerri discovered a new way to approach the multiples in sculpture (Edition MAT), he transformed his trap pictures into an experimental narrative form (Topographie Anécdotée du Hasard), he initiated the Eat Art movement, he tested an innovative curatorial approach (the Musée Sentimental and the Giardino). Despite constant interruptions due to his semi-nomadic lifestyle, this oeuvre presents an extraordinary coherence, where none of these ventures can be properly understood without considering all the others. This is the first monograph entirely devoted to Daniel Spoerri in the United States to date. With an introduction by Barbara Räderscheidt.

Neither Capital, Nor Class

A Critical Analysis Of Pierre Bourdieu's Theoretical Framework

Jacek Tittenbrun, University of Poznan, Poland

May 2017 / ISBN: 978-1-62273-207-4
Availability: In stock
366pp. ¦ $75 £65 €72

This book offers an in-depth examination of Pierre Bourdieu's theoretical framework. The book is not just a collection of more or less critical remarks but constitutes a coherent whole, underpinned by an original analytical framework. This conceptual apparatus makes it possible to present some alternative solutions to the theoretical problems under consideration. The book goes largely against the grain of views that are dominant in the literature on Bourdieu. Therefore, its conclusions may be surprising to many a reader. The book demonstrates that Bourdieu's well-known theory of 'capital' forms is untenable, resembling more an illegitimate metaphor rather than a scientific concept. In a similar vein, the Bourdesian class theory should be largely regarded as a variant of social stratification rather than class. There are many theoretical and empirical problems with Bourdieu's theory of social and cultural reproduction as well. There is more to the above criticisms than meets the eye. The point is that many weaknesses of Bourdieu's style of theorising seem to stem from his intellectual dependence upon structuralism, especially in Claude Lévi-Strauss' version. It is this affinity that accounts for such features of Bourdieu's approach as its essentialism, formalism and epistemic idealism. The book will be of interest primarily to students of Bourdieu's many and varied contributions to social theory. In view of Bourdieu's immense influence, it will also hold interest to critical scholars in political science, economic sociology and political philosophy.